Well.
Let's see how this goes. Last year was a minor disaster (79/120 outright, 108/120 with spoilers). Here's 2020 (84/118 outright, 110/118 with spoilers), here's 2019 (88/124 outright, 113/124 with spoilers), here's 2018 (91/121 outright, 113/121 with spoilers) and here's 2017 (90/122 outright, or 118/122 with spoilers).
Let's change things up and do Best Picture at the end, because it's the worst to format. That said, there's a good chance All Quiet on the Western Front might come in and sweep a bunch of things. It didn't make every shortlist, but it already made quiet a few.
[Ed: update 1/24 with correct answers in bold. Anything missed in italics.
In short: I am SO good. Totals: 91/120 - my highest outright score yet! (Both in percentage and tied for total number.) 114/120 with spoilers (my second best year.)
Perfect categories: Actor, Supporting Actress, Makeup, VFX, sound. !!!
Missed 6: Andrea Riseborough (after I thought about putting her in as a spoiler), Ruben Ostlund (total left field), The Red Suitcase, How do You Measure a Year, Stranger at the Gate, (all shorts) Triangle of Sadness (left field pick for Best Picture!! More below).]
Editing
Quick note: Why the fuck are the ACE Eddie nominations coming out AFTER the oscar noms?
So that makes things a lot harder. Let's go:
Elvis (BAFTA, CCA)
Top Gun Maverick (ditto)
Everything Everywhere (BAFTA, Indie, won the CCA)
All Quiet on the Western Front (BAFTA)
TÁR (CCA, runner up at the LAFC)
Spoilers
Banshees (BAFTA)
Avatar (CCA)
Aftersun (Indie, Won the LAFC and Brit Indie)
Babylon (CCA)
Fablemans (good shot at a Best Picture nod)