Friday, February 5, 2010

Dream Oscar Nominations

I just realized these were posted on facebook, but never cross-posted here. Since the actual nominations are finally out, the ones that actually made it are in bold.

Best Picture
Hurt Locker
Moon
Bright Star
District 9
Inglorious Basterds
Brothers
Fantastic Mr. Fox
A Serious Man
In the Loop
Watchmen

Best Actress
Abbie Cornish (Bright Star)
Rachel Weisz (Brothers Bloom)
Carey Mulligan (An Education)
Melanie Laurent (Inglorious Basterds)
Zooey Deschanel (500 Days of Summer)
Michelle Monaghan (Trucker)
Ellen Page (Whip It)

What? Dream noms. I can pick more than 5.

Best Actor
Sam Rockwell (Moon)
Jeremy Renner (The Hurt Locker)
Ben Whishaw (Bright Star)
Brian Cox (The Escapist)
Michael Sheen (The Damned United)
Michael Stuhlbarg (A Serious Man)
Colin Firth (A Single Man)

Best Supporting Actress
Rinko Kikuchi (The Brothers Bloom)
Rosamund Pike (An Education)
Olivia Williams (An Education)
Diane Kruger (Inglorious Basterds)
Julianne Moore (A Single Man)
Natalie Portman (Brothers)
Marion Cotillard (Public Enemies)

Best Supporting Actor
Christian McKay (Me and Orson Welles)
Christoph Waltz (Inglorious Basterds)
Jackie Earle Haley (Watchmen)
Peter Capaldi (In the Loop)
Timothy Spall (The Damned United)
Jake Gyllenhaal (Brothers)
Alfred Molina (An Education) (I'm actually a little shocked he wasn't in)
Michael Emerson (LOST). Because he should win everything forever.

Best Director
Kathryn Bigelow (The Hurt Locker)
Lone Scherfig (An Education)
Jane Campion (Bright Star)
Neill Blomkamp (District 9)
Lee Daniels (Precious)
Tom Ford (A Single Man)

And if we had to let in one straight, white, American male:
Quentin Tarantino (Inglourious Basterds)

Best Cinematography
A Serious Man
The Hurt Locker
Bright Star
Inglorious Basterds
The White Ribbon
Public Enemies

Best Animated
Fantastic Mr. Fox
Coraline
9
Ponyo
A Town Called Panic
The Secret of Kells
Mary and Max

Yeah, that’s right. No Up. [I'd like to point out that I dream-predicted the biggest upset of the nominations!]

Best Original Screenplay
Mark Boal (The Hurt Locker)
Quentin Tarantino (Inglorious Basterds)
The Coens (A Serious Man)
Scott Neustadter & Michael Weber (500 Days of Summer) [Seriously? SERIOUSLY OSCAR?]

Best Adapted Screenplay
Neill Blomkamp & Terri Tatchell (District 9)
Jane Campion (Bright Star – although this should SO be considered original)
Tom Ford (A Single Man)
Nick Hornby (An Education)
Wes Anderson & Noah Baumbach (Fantastic Mr. Fox)
Spike Jonze (Where the Wild Things Are)

(If I could pick just two, I'd hand deliver screeners for Abbie Cornish and Sam Rockwell. And I'm pretending Christian McKay could still be a surprise nom come February)

I accidentally left off In The Loop for screenplay - I think because it had been considered original for some and adapted for others, but I'm THRILLED it is nominated and really rooting for it. I also didn't do a category for makeup, but I didn't think I'd have to mention the District 9 effects. Maybe the academy voters also assumed someone else would vote for it?

Sadly, neither Christian McKay nor Melanie Laurent made it in, when I hoped they both had a good chance. And neither Sam nor Abbie pulled off a thrilling upset. C'est la vie. I did read this good news (via Notes on a Season at the LA Times);

"Another Fox label, Searchlight, has already jumped into next year's Oscar race by announcing Wednesday their acquisition of a new true life drama, "Betty Anne Waters" with Hillary Swank and Sam Rockwell in the story of a woman who became a lawyer to find a way to free her wrongly imprisoned brother. Bloggers, Nikki Finke among them, are speculating as to why Searchlight would jump back into business with Swank on the heels of the disappointing box office and critical reception for "Amelia" which proved to be an Oscar non-starter. Could it be because this is a crackerjack drama and remarkable story, a grittier "Blind Side" which features a great performance by Swank, back in her comfort zone and a brilliant one by Sam Rockwell that could make him as inevitable a supporting actor contender next year as Christoph Waltz is this season? The answer is, yes it could. Searchlight is as shrewd as they get. They plan a fall 2010 release with award recognition the driving force. They will get it."

Box Office

I used to play a box office prediction game at EW.com, which I absolutely loved. You had to predict the top 10 films of the weekend, in order. It was awesome, I loved it, I was quite frequently in the top 10 for a weekend or the top 25 or 50 for a season. So of course they took it away.

I mourned, I moved on, I occasionally played in Cinematical's version of the top 5 to keep some of my skills sharp.

Then Flick Picks started up. I'm not sold on it. Basically, you run a theater and get points based on the revenues from your seven screens. I've been told it's a similar approach to fantasy football. Anyways, aside from the fact that if I actually were to run a movie theater, it would have cushy couches and armchairs, beer, pizza, and an art house repertoire, you basically are trying to guess the top 5 films, broken into 1-2 and 3-5. It's not as difficult. The scoring results aren't well laid-out. And the whole thing is not very intuitive to me.

But I would like to point out that my theater, the Carnivale, is ranked 45th in my division. That is all.

Tuesday, February 2, 2010

I got a picture of a photograph

There's an article on rock radio in today's Globe. I'm sorry, the problem is that flipping through 4 radio stations you got all Stone Temple Pilots? You consider this a problem.... why exactly?

Oscar noms

Quick reactions here;

No exciting upsets that I immediately noticed. While I didn't hold out much hope for Abbie Cornish, I did think there was a good chance of Christian McKay getting a supporting actor nod. C'est la vie.

I'm thrilled that District 9 made it into the top 10, and disappointed by the Blind Side (how's that Razzie nomination, Sandra??)

The rest:

BEST PICTURE
Avatar
The Blind Side
District 9
An Education
The Hurt Locker
Inglourious Basterds
Precious
A Serious Man
Up
Up in the Air

Well, District 9, An Education, The Hurt Locker, Inglorious Basterds and A Serious Man all deserve to be on there. And without 10 nominees, I doubt they would have all gotten a chance. However, I don't think the nods will help box office at this point.

BEST DIRECTOR
James Cameron -- Avatar
Kathryn Bigelow -- The Hurt Locker
Quentin Tarantino -- Inglourious Basterds
Lee Daniels -- Precious
Jason Reitman -- Up in the Air

Predictable, but mostly a good group. Kathryn!!!

BEST ACTOR
Jeff Bridges
George Clooney
Colin Firth
Morgan Freeman
Jeremy Renner

Hurrah for Jeremy Renner and Colin Firth! And I'm glad Invictus got a little love somewhere. However, I'm fairly certain this is Jeff Bridges' to lose. Besides, Sam Rockwell gave the best performance of the year, so it doesn't really matter who wins this.

BEST ACTRESS
Sandra Bullock
Helen Mirren
Carey Muligan
Gaborey Sibide
Meryl Streep

Ugh. Ugh Ugh. Just because Helen Mirren and Meryl Streep are grande dames, DOESN'T MEAN YOU HAVE TO NOMINATE THEM.

BEST SUPPORTING ACTOR
Matt Damon
Woody Harrelson
Christopher Plummer
Stanley Tucci
Christoph Waltz

Again, happy for Matt Damon, crushed for Christian McKay.

BEST SUPPORTING ACTRESS

Penelope Cruz
Vera Farmiga
Maggie Gyllenhaal
Anna Kendrick
Mo'Nique

Huh - I haven't heard great things about Maggie's performance, but I like her as an actress, so I'm glad she's got her first academy award nom.


BEST ORIGINAL SCREENPLAY

Marc Boal -- The Hurt Locker
Quentin Tarantino -- Inglourious Basterds
Alessandro Camon & Oren Moverman -- The Messenger
Joel Coen, Ethan Coen -- A Serious Man
Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy -- Up

Pretty expected.

BEST ADAPTED SCREENPLAY
Neill Blomkamp and Terri Tatchell -- District 9
Nick Hornby -- An Education
Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche -- In the Loop
Geoffrey Fletcher -- Precious
Jason Reitman and Sheldon Turner -- Up in the Air

Hurrah for In the Loop!! Bright Star should be included, but then again, it should have been placed in Original, so....

BEST ANIMATED FEATURE
Coraline -- Henry Selick
Fantastic Mr Fox -- Wes Anderson
The Princess and the Frog -- John Musker and Ron Clements
The Secret of Kells -- Tomm Moore
Up -- Pete Docter

Yay for The Secret of Kells! I'm so excited that something almost totally unknown got a mention.

BEST ART DIRECTION

Avatar

:

Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair


The Imaginarium of Doctor Parnassus: Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith


Nine: Art Direction: John Myhre; Set Decoration: Gordon Sim

Sherlock Holmes: Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer

The Young Victoria: Art Direction: Patrice Vermette; Set Decoration: Maggie Gray



Imaginarium!!

BEST CINEMATOGRAPHY

Avatar: Mauro Fiore

Harry Potter and the Half-Blood Prince: Bruno Delbonnel
The Hurt Locker: Barry Ackroyd
Inglourious Basterds: Robert Richardson
The White Ribbon: Christian Berger

This is shocking - no Roger Deakins for A Serious Man? You mean, people don't have to be nominated just because they've been nominated before? Also - Avatar? Really? Does that count?

BEST COSTUME DESIGN

Bright Star -- Janet Patterson
Coco before Chanel -- Catherine Leterrier
The Imaginarium of Doctor Parnassus -- Monique Prudhomme
Nine - Colleen Atwood
The Young Victoria

Well thank god Bright Star wasn't a complete shutout. Harrumph.


BEST DOCUMENTARY

  • "Burma VJ" Anders Østergaard and Lise Lense-Møller
  • "The Cove" Nominees to be determined
  • "Food, Inc." Robert Kenner and Elise Pearlstein
  • "The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers" Judith Ehrlich and Rick Goldsmith
  • "Which Way Home" Rebecca Cammisa

Yay Food, Inc. and the Cove!

BEST EDITING

  • "Avatar" Stephen Rivkin, John Refoua and James Cameron
  • "District 9" Julian Clarke
  • "The Hurt Locker" Bob Murawski and Chris Innis
  • "Inglourious Basterds" Sally Menke
  • "Precious: Based on the Novel 'Push' by Sapphire" Joe Klotz
District 9 is doing well....

BEST FOREIGN FILM
  • "Ajami" Israel
  • "El Secreto de Sus Ojos" Argentina
  • "The Milk of Sorrow" Peru
  • "Un Prophète" France
  • "The White Ribbon" Germany
Yay - I want to see The White Ribbon and Un Prophete

BEST MAKEUP
  • "Il Divo" Aldo Signoretti and Vittorio Sodano
  • "Star Trek" Barney Burman, Mindy Hall and Joel Harlow
  • "The Young Victoria" Jon Henry Gordon and Jenny Shircore

Could there be 3 more different nominees?

BEST ORIGINAL SCORE

  • "Avatar" James Horner
  • "Fantastic Mr. Fox" Alexandre Desplat
  • "The Hurt Locker" Marco Beltrami and Buck Sanders
  • "Sherlock Holmes" Hans Zimmer
  • "Up" Michael Giacchino
Yay Fantastic Mr. Fox!

BEST ORIGINAL SONG
  • "Almost There" from "The Princess and the Frog" Music and Lyric by Randy Newman
  • "Down in New Orleans" from "The Princess and the Frog" Music and Lyric by Randy Newman
  • "Loin de Paname" from "Paris 36" Music by Reinhardt Wagner Lyric by Frank Thomas
  • "Take It All" from "Nine" Music and Lyric by Maury Yeston
  • "The Weary Kind (Theme from Crazy Heart)" from "Crazy Heart" Music and Lyric by Ryan Bingham and T Bone Burnett
Oh thank god Paul McCartney didn't get a nom just for being him. Then again, I almost wanted a U2 nomination, so something for Brothers would get in...

BEST SOUND
  • "Avatar" Christopher Boyes and Gwendolyn Yates Whittle
  • "The Hurt Locker" Paul N.J. Ottosson
  • "Inglourious Basterds" Wylie Stateman
  • "Star Trek" Mark Stoeckinger and Alan Rankin
  • "Up" Michael Silvers and Tom Myers


BEST SOUND EFFECTS EDITING

  • "Avatar" Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
  • "The Hurt Locker" Paul N.J. Ottosson and Ray Beckett
  • "Inglourious Basterds" Michael Minkler, Tony Lamberti and Mark Ulano
  • "Star Trek" Anna Behlmer, Andy Nelson and Peter J. Devlin
  • "Transformers: Revenge of the Fallen" Greg P. Russell, Gary Summers and Geoffrey Patterson


BEST VISUAL EFFECTS

  • "Avatar" Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
  • "District 9" Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
  • "Star Trek" Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
DISTRICT 9!!!!

Wednesday, January 13, 2010

New Mix

January 2010, or, how I learned to stop worrying and love the hipsters

1 - Lovesick Teenagers - Bear in Heaven
2 - The Mission (M is for Milla Mix) - Puscifer
3 - Too Late for Gods - AFI
4 - Treat Me Like Your Mother - Dead Weather
5 - Ambling Alp - Yeasayer
6 - Watching the Planets - The Flaming Lips
7 - Underdog - Kasabian
8 - Hollywood - Marina and the Diamonds
9 - Strung Out - Dana Fuchs
10 - The Strums - The Dodos
11 - Pale Horses - Moby
12 - Islands - The XX
13 - Never Forget You - The Noisettes
14 - Hole to Feed - Depeche Mode
15 - Gunman - Them Crooked Vultures
16 - Queen of the World - Ida Maria
17 - Love Will Tear Us Apart - Joy Division
18 - Rabbit Heart - Florence & the Machine
19 - Lust for Life - Girls
20 - Wow and Flutter - April Smith
21 - Work - Ciara ft. Missy Elliott
22 - Telephone (dark intensity remix) - Lady Gaga
23 - Zero - Yeah Yeah Yeahs

Thursday, December 31, 2009

2009 Mixes

Disc 1
1 & 2. Song of the Century/21st Century Breakdown – Green Day. I’m not sure any album has ever opened stronger than the first 4 songs on this album, so I’m including the first two here. I love this opening. I love them.
3. Undisclosed Desires – Muse. Matt Bellamy’s description; “This is something totally new for the band. It is influenced by contemporary R'n'B and a little of the David Bowie album 'Ashes to Ashes'. It is a song about love and the dark secrets that lovers share.”
4. Beautiful Thieves – AFI. There’s something about the choir’s “oh”s that gets me every time.
5. Heavy Cross – The Gossip.  Beth Ditto’s voice is fantastic and this song is relentlessly upbeat. Easily my song of the summer.
6. Ulysses – Franz Ferdinand. My favorite off of Tonight. I love the way it builds, particularly the bridge.
7. New Fang – Them Crooked Vultures. The new supergroup comprised of Josh Homme (Queens of the Stone Age/Eagles of Death Metal), Dave Grohl (Foo Fighters/Nirvana) and John Paul Jones (Led Zeppelin. No, really.) Listen to Ms. Manson’s advice. They’re awesome.
8. My Delirium – Ladyhawke. Let’s hear it for the Kiwis! Ladyhawke is the stage name of Phillipa Brown, who hails from Wellington. This song is actually from last year, but I just keep listening to it.  If you like this one, I also recommend her latest single, Magic.
9. No One Sleeps When I’m Awake – The Sounds. I love them. I played Dance With Me every single day on my way to work in Dublin. Plus, I actually got this song on the night that Emily and I went dancing in Boston, so bonus points for awesome there.
10. Telephone – Lady Gaga ft. Beyonce. THIS SONG ATE MY BRAIN. I SERIOUSLY CAN’T STOP PLAYING THIS.  (Also – her song Teeth cracks me up, because I feel like she’s fucking with Twilight fans. I recommend checking it out.)
11. Blind – Hercules & Love Affair. Another one from last year, in case you didn’t already have it. The singer is Antony Hegarty of Antony And The Johnsons. But you can dance to this one!
13. Tik Tok – Kesha. I know I’ve sent this to some of you already, but I laugh every time I hear “we kick em to the curb unless they look like Mick Jagger.”
14. Heart Attack – Low vs. Diamond. I’ve heard this band called stadium indie, which seems about right. There’s something anthemic about this one that I really like.
15. Constructive Summer – The Hold Steady. This song is an epic, summer driving sing-a-long jam. I like that it sounds both rough and nostalgic.
16. Wannabe in LA – Eagles of Death Metal. Guaranteed to put a smile on your face.  Fun, quick and dirty, bluesy biker rock.
17. Too Shy to Scream – AFI. I know. Proper mixes don’t repeat bands. I don’t care. I want to dance every time I hear this song. I dare you to listen to it without tapping your toes. Also, including it gives me the opportunity to point out that Davey sang the second verse right to me when I saw them in Providence. Trufax.
18. Resistance – Muse. I’ll include part of Ms. Manson’s review, since she is far more poetic than I; “Everytime I listen to it I feel like I am riding this mad wave of euphoria.....and I am sort of overtaken with the overwhelming desire to sing along really REALLY loudly or burst into tears.”
19.  Sea WithinA Sea – The Horrors. Hypnotic, Depeche Mode-esque, I fell in love with it because it reminded me of the Rip by Portishead (as it should because it turns out it was produced by Geoff Barrow of Portishead).

Disc 2
1. Everloving – Moby.  Not a 2009 song, but I discovered it wandering around the homepage of one of my favorite writers (Mark Morford). Anyways, for months I kept opening up his page in the background to listen to this song on repeat. I finally emailed him to ask what it was and he was gracious enough to let me know. I love the crashy bit that sounds like the ocean.
2. Daniel  - Bat for Lashes. I think my favorite description of this song is “sounds like Fleetwood Mac’s ‘Rhiannon’ filtered through the weeping circuits of a broken-hearted android.”
3. Pa Pa Power – Dead Man’s Bones. Because little children are creepy. (And, yes, one of the singers is Ryan Gosling.)
4. Islands – The XX. I just got this song and really like it. It’s understated and restrained and really beautiful.
5. In the Snow – Shirley Manson. So her stupid label refused to continue Shirley’s album, claiming her demos were “too noir”. Because apparently they thought they were dealing with Britney Spears. Idiots. Anyways, while I hope for an Extraordinary Machine-type resurrection, here’s one of those demos. Unfinished, but beautiful.
6. It’s All Your Fault - Pink. It’s from last year. But I really liked this record, and I’m still listening to it.
7. Misery – Dana Fuchs. I love her. I got the chance to see her live and she is just incredible. She played Janis Joplin on Broadway (and Sadie in Across the Universe) and, as one review put it, she “sings like a bastard.”
8. Stardust Kids – MGMT vs. David Bowie. This is brilliant. Whoever thought of putting these together deserves a cookie.
11. 1901 – Phoenix. I’m getting annoyed that this song is now on like 3 commercials, but it remains such a fun, boppy tune that I decided to include it anyway.
12. Buttons – Sia. She’s an Aussie singer, formerly of Zero 7. This song burrowed into my brain. And the video is insane. (It’s just her, putting weird crap on her head. It’s so bizarre. Youtube it.)
12. I Make Her Say – Kid Cudi ft. Lady Gaga, Common, & Kanye West. Not quite as amazing as Christopher Walken’s rendition of Poker Face, but close.
9. Womanizer v. Mercury – Bloc Party v. Britney Spears. I don’t want to like this, and yet…
13. Oh my god – Ida Maria. Norwegian rocker. Very cool.
14. Becky – Be Your Own Pet. The band unfortunately broke up, but hilarious, bitchy high school homicide lives forever.
15. Fuck You – Lily Allen. Out of a lot of great songs, this one is my favorite. Particularly helpful for blasting when Maine or New York vote down marriage rights. Rrrrr….
15. The Rip – Portishead. I love float-away-type songs, and this one is gorgeous.
15. Don’t Stop Believing – Glee Cast. This one is for Alex and Amy.  I also really like the It’s My Life/Confessions and Don’t Stand So Close/Young Girl mash ups. They’re worth checking out.
16. Leeds United – Amanda Palmer. I could have SWORN I put this on last year’s list, but apparently not. I adore this song. I found it on Neil Gaiman’s blog, and it’s how I got hooked on her and the Dresden Dolls. Anyways, now I’ve finally seen her live and I’m spending New Years at HER PARTY and she’s brilliant and I love her. I love this song because it was recorded at the tail end of Edinburgh Fringe and she blew out her voice on it and couldn’t talk for 3 days after and it was only supposed to be a demo, but it turned out so well they kept this version for the album. Yay.
17. The Snow Leopard – Shearwater. The other one I thought I gave out last year. I think this song is heart-breakingly beautiful. I can’t imagine how the singer holds some of those notes.

Friday, December 25, 2009

Top 10 Films of 2009

Top 10 films of 2009

This is probably wildly narcissistic (so what else is new?) but I have had a few people ask for recommendations for things to see over the holidays (either in theatres or on DVD – noted where appropriate). I still have some to see that are just coming out (Avatar, A Single Man, The White Ribbon) and there are some I missed (Bronson, Flame & Citron, Adventureland), but given those limitations, here’s my top 10 list for the year.

[God – I still can’t believe I missed Bronson. D’oh!]

First - special mentions;

The Escapist. I know. It’s wildly snobby to include this one, as it has never (and will never) be released in the U.S., but it is hands down my favorite film I’ve seen this year. It’s a prison break film, shot in Kilmainham gaol in Dublin. It stars Brian Cox, Joseph Fiennes, Dominic Cooper, Seu Jorge, Liam Cunningham, and Damian Lewis. Can we pause for a moment and appreciate that cast? It’s wildly original and Brian Cox gives an astounding career-high performance. You can buy a region 2 dvd from amazon.uk if so inclined, but if you ever see it playing at a fest near you, definitely check it out!

[Ed note: per comment, it will soon be on Region 1 DVD! YAY! GO SEE IT!!]

Trick ‘r treat. This never got a proper release, but it’s available on DVD. A Halloween anthology, it captures the traditions and mythology surrounding the holiday perfectly. Starring Anna Paquin as Red Riding Hood, Brian Cox as a grumpy scrooge, and Dylan Baker as the scariest high school principal ever. Rent it if Nightmare before Christmas puts you in the mood for something fun and creepy.

Top 10:

1. The Hurt Locker (DVD). The best word I can think of to describe this film is immersive. Tense, surprisingly funny, with incredible acting from every person who shows up on screen (hey, was that Guy Pearce? And Ralph Fiennes? And Evangeline Lily?) At heart though, it is an incredible portrait of a soldier who thrives in the dangers of war. Completely brilliant.

2. Moon (DVD). I love, love, love this film. It’s best to go into this film knowing little of the plot. Basically, it concerns astronaut Sam Bell, who has 2 weeks to go on his 3-year solitary mining shift on the moon. It has the year’s most incredible performance by Sam Rockwell, who is pretty much the only one on screen (Kevin Spacey voices the computer on the moon station).

3. Bright Star (not yet on DVD). Jane Campion returns to film with this gorgeous, lush presentation of the love story between Fanny Brawne and her neighbor John Keats, who died at the age of 25. Moody and dreamy, it unfolds like a Keats poem.

4. Watchmen (DVD). Step off, haters. I think in time this will be recognized for how brilliant it is. No – it isn’t perfect, but it encompasses the sprawling complexity of the original novel while capturing the gritty feel perfectly. “Superheroes” debating morality doesn’t have the black and white simplicity of your Spider-Man 2, but it leaves far more to contemplate and discuss long after the movie has finished. Also has one of the year’s best performances in Jackie Earle Haley’s Rorschach.

5. The Brothers Bloom (DVD – rental only, to buy in 2010). This one got lost in the shuffle, which was such a shame. A globe-trotting, one-last-con flick, featuring a pair of con men brothers (Adrian Brody and Mark Ruffalo), a longing-for-adventure heiress (Rachel Weisz), and an explosives expert (Rinko Kikuchi). Rachel Weisz and Rinko Kikuchi would both be up for Oscars, were there any justice in the world.

6. District 9 (DVD). A cheeky political commentary on marginalized peoples (or aliens) that turns into an amazing action piece. Wildly ambitious, a sci-fi epic shot on an (unnoticeable) shoestring budget, a drama crossed with a stylized thriller, it is impressively original.

7. Inglourious Basterds (DVD). Each of the chapters could be an award-winning short film. So many films today take quick edits to the extreme of also having quick scenes. While Tarantino doesn’t employ particularly long takes, he does allow long scenes to play out, slowly building the tension of each interrogation. Yes, it is also a satisfying revenge fantasy and an ode to the power of cinema, but it is the drama of these small contests of will that remain freshest months later.

8. The Damned United (not yet on DVD). Less a sports movie than a biopic, the film follows Brian Clough, the football coach who led Derby to a League championship and later took the job as head coach of Leeds, which lasted only 44 days. Michael Sheen may be the most chameleonic actor around, and his scenes with Timothy Spall (as his assistant coach) are a joy to watch.

9. Brothers (in theaters). I’m not sure why critics are divided on this one. I think it’s an incredibly well acted character piece that examines the affects of war at home. Tobey Maguire may be getting a few accolades due to the showier role (and Leo’s campaigning), but Jake Gyllenhaal has a more impressive character arc as the black sheep in a military family.

10. Fantastic Mr. Fox (in theaters). Wes Anderson stylization comes to animation, which recalls Wallace and Gromit crossed with Gumby. The story, based on a Roald Dahl tale, follows a fox family and their woodland neighbors as they fight off the local farmers. A whimsical action caper that is completely endearing.

Ten more:

11. A Serious Man (in theaters). The biblical tale of Job retold in the Midwestern 60s suburbs. A really dark and really funny look and faith and suffering.

12. In the Loop (DVD). I was almost afraid to laugh during this one for fear of missing the next line. A blazingly quick-witted, completely vicious satire of UK and US politicians going to war. Peter Capaldi revels in one of the best characters of the year; a nasty, bullying, Alastair Campbell-esque press chief whose expletive-laden tirades are things of… well, if not beauty, then wonderment.

13. Zombieland (not yet on DVD). The most fun I’ve had at the movies this year. Completely hilarious.

14. Me and Orson Welles (leaving theaters). Centered during the week before the opening of Caesar in 1937, this film is a charming ode to the theater and the characters that inhabit it. Mostly fluffy, it is largely a vehicle for Christian McKay’s brilliant portrayal of Orson Welles.

15. Pirate Radio (leaving theaters). The second most fun I’ve had this year. Fun and charming look at rock radio stations operated at sea in Britain in the 60s. Best Little Richard reference in a film this year.

16. Coraline (DVD). After seeing this one, I felt that Avatar was allowed to be a dud, since I had already seen something visually astounding on the big screen this year. Not only is the fairytale (written by Neil Gaiman) a wonderful and eerie story, but the use of 3-D cleverly creates a fantasy other-world that seduces our young heroine.

17. An Education (in theaters). The story of a British schoolgirl who takes up with an older man. Carey Mulligan gives a breakout performance as the rapidly maturing Jenny. A poignant period piece that deals with the options of well-educated women at a time when few career possibilities were available.

18. Whip It (not yet on DVD). Another one that got lost in the shuffle. I’m going to try not to be cynical and say that it had anything to do with the fact that is had one of the better female casts around. I went in thinking it was going to be your typical underdog sport film, albeit with roller derby, and it turned out to be a sweet coming of age/first romance/fun punk rock empowerment flick. Really enjoyable.

19. 500 Days of Summer (DVD). Toes the line of almost too precious, but it’s a cute, shuffled up look back on a romance. Elaborate, amazing dance sequence aside, the trips to IKEA keep the film grounded in something like reality (well, despite some Garden State stylization). It’s also a nice nod to the city of LA, which hardly ever gets any cinematic love.

20. Ponyo (not yet on DVD). I think of this as the companion piece to Totoro. Ponyo and Mei are spiritual sisters, with their boundless enthusiasm and winningly extreme emotions. Also, Tina Fey outrunning the tsunami is hilarious.

Other good ones to check out:

Half Blood Prince (DVD). I had a couple of script problems with this one, but this scene (http://www.youtube.com/watch?v=fUNg9v5TQ5Q) totally made up for it.

Star Trek (DVD). Yup, Zachary Quinto makes a great Spock. I feel that this one was slightly over-praised, coming on the heels of several blockbuster disappointments, but it is a very good reboot and action-adventure film.

La Mission (not yet on DVD). The story of a MUNI driver coming to grips with his son coming out and the gentrification of the Mission district. Really good performances all around.

Where the wild things are (leaving theaters). One of the best movies about childhood ever made. It’s dark and beautiful and painful and magical and imaginative altogether.

Mary & Max (not yet on DVD). The first animated film to ever open Sundance, this is about the penpal relationship between a lonely girl in Australia and a man with Asperger’s in New York.

Jennifer’s Body (DVD). The most poorly marketed film of the year. It’s not a horror movie and it’s not all about Megan Fox. It uses horror tropes, including the focus on female sexuality, to create a wickedly funny allegory of adolescence and female rivalry. Also – Adam Brody does a dead-on Brandon Flowers.

Kisses (not yet on DVD). Two Irish children run away from home and spend a night on the streets of Dublin. A minor fairytale set against a bleak urban backdrop.

The International (DVD). I liked this one, though I know I’m in the minority. I think making the bad guy a bank may have hit a little too close to home when people wanted more escapism from their action films. But I’d recommend this one.

I Sell the Dead (not yet on DVD). A fun, shlocky ode to the Hammer horror films, this film tells the story of two grave robbers on the eve of their execution. It has one of the best moments of slapstick in a film this year, involving a particularly animated corpse.

Public Enemies (DVD). This one was really interesting, because one of the largest complaints was the disconnect between the ultra-modern cinematography and the setting of the film. But I think that adds to the realism of the film, because it emphasizes that these characters were once living, breathing people. Great acting by all involved. I think it could have been tightened up a bit, which is why it misses the top 20.

Young Victoria (in theaters). Emily Blunt comes off a little too modern in sections, but it’s otherwise a good period romance. The court intrigue sections are never quite as well developed, though, which is surprising, considering it’s written by Julian Fellowes (who penned one of my all-time favorites, Gosford Park).

Men who stare at goats (leaving theaters). Mis-marketed as a an out-and-out comedy, when it is really more of a dramedy. I liked it though. It has an engaging cast, and certainly several laugh out loud moments. It’s amusing, if not hysterical.


A few others also seen this year:

Everybody’s Fine (in theaters) To be fair, not as trite as I expected. Robert DeNiro does a good job of acting older and frailer than he is. And I was happy that all the reviews pointed out that Sam Rockwell was the high point of the film. (Kate Beckinsale, meanwhile, is wretched.)

Brief Interviews with Hideous Men (not yet on dvd). A noble effort, but read the book instead.

Breaking Upwards (not yet on dvd). Hipsters talking about their feelings. Makes me glad I don’t live in Brooklyn.

It Might Get Loud (DVD). Wildly disappointing. First off, they should have included Matthew Bellamy. But that omission aside, this is terribly interviewed and edited, resulting in a film that bounces around with no clear thematic direction and too little from the people it is featuring. You get neither enough history of the guitarists, or enough information on their instruments. You get a lot of vague statements about “that guitar defined the sound of the band.” Okay – how? How was it different than another guitar? What was best about that model for those songs? The only time you actually feel that you’ve learned something satisfactory is when the Edge plays Elevation both with and without the effects of his soundboard. The best parts of the film are watching them each play, but a concert documentary would have worked better in that respect.

My One and Only (not yet on DVD). Considering how much I dislike Renee Zellweger, I enjoyed this more than I expected. This is mainly due to a winning supporting cast (including Robin Wiegart as an uptight and rigid relation and an all-too brief turn by Nick Stahl as a quiet mechanic). The film is based on the life of George Hamilton, and it really sticks too closely to the truth. Had they only used the plot as a springboard, fiction might have improved upon fact. But it is an interesting examination of a woman on her own at a time when a woman could be detained for prostitution just for ordering a drink on her own. (God forbid.)

9 (DVD). The plot is a little formulaic, but I really liked the visuals. Some of the scariest animated creatures ever.

Gentleman Broncos (not yet on DVD). Jermaine Clement and Sam Rockwell are funny. The rest is nearly unwatchable. I would’ve rather had Sam guest star on Flight of the Conchords.

Happy Holidays!!