Sunday, March 2, 2025

Oscars Aftermath

Updates 3/2 in bold. 

15/23. 20/23 with spoilers. Fucking terrible performance (although in the 94th percentile on ESPN? WHAT is going on over there??), but DEEPLY thrilled with the Flow and Anora upsets! I love losing when it means the films that should win, do!

Missed the doc/live shorts and international film and two of those, in hindsight, feel like I should have gotten them. C'est la vie. 

Much like with the noms, I am still not on top of the race. But those predictions turned out okay, so.... fingers crossed?

Past years: 2023: 18, 2022: 16 (yikes), 2021: 20, 2020: 17, 2019: 19 (Bong!), 2018: 20, 2017: 15 (Moonlight!), 2016: 17, 2015: 21, 2014: 20, 2013: 18, 2012: 17, 2011: 17, 2010: 17, 2009: 20/21?

And, like last year, I am so far behind on films that I mostly don't have very fully formed 'should win' opinions. I think these are mostly predictable/in line with pundits, but I'll go fill out my games and see. 

Best Picture 
Anora - spoiler, did win. YAAAAAAAAAAYYYYYYY. The best film of the year (as far as I know) actually won best film!
The Brutalist 
A Complete Unknown 
Conclave - will win
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist - will win, did win
Timothée Chalamet, A Complete Unknown - spoiler
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice


Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora - spoiler, did win
Demi Moore, The Substance - will win
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain - will win, did win
Edward Norton, A Complete Unknown - spoiler
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

[Side note: YIKES on that speech. I had always meant to getting around to Succession, but now?]

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked - spoiler
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez - will win, did win


Animated Feature Film
Flow - spoiler, did win YAAAAAAAAAAAAY
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot - will win


Documentary Feature Film
Black Box Diaries
No Other Land - will win, did win
Porcelain War - spoiler
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here - did win
The Girl with the Needle
Emilia Pérez - will win
The Seed of the Sacred Fig - spoiler
Flow

Should have called this as spoiler, based on the Best Picture inclusion, but it still came so out of left field at the last moment. I can only imagine due to the subject matter and, well, everything. 

Directing
Sean Baker, Anora - will win, did win
Brady Corbet, The Brutalist - spoiler
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist - will win, did win (aww. I was hoping for a Maria upset)
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria - spoiler
Jarin Blaschke, Nosferatu

Original Screenplay
Anora - will win, did win
The Brutalist  
A Real Pain - spoiler
September 5 
The Substance 

Adapted Screenplay
A Complete Unknown
Conclave - will win, did win
Emilia Pérez
Nickel Boys - spoiler
Sing Sing

Film Editing
Anora - spoiler, did win (YAY!)
The Brutalist
Conclave - will win
Emilia Pérez
Wicked

Original Song
“El Mal” from Emilia Pérez - will win, did win
“The Journey” from The Six Triple Eight - spoiler
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Original Score
The Brutalist - will win, did win
Conclave - spoiler
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown - spoiler
Dune: Part Two - will win, did win
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist - spoiler
Conclave
Dune: Part Two
Nosferatu
Wicked - will win, did win

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two - will win, did win
Kingdom of the Planet of the Apes - spoiler
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance - will win, did win
Wicked - spoiler

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu - spoiler
Paul Tazewell, Wicked - will win, did win

(Yay Paul Tazewell!)

Best Animated Short
Beautiful Men
In the Shadow of the Cypress - spoiler, did win
Magic Candles
Wander to Wonder - will win
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden - will win
Incident
Instruments of a Beating Heart - spoiler
The Only Girl in the Orchestra - did win. BOO Netflix dominance

Best Live-Action Short
A Lien - spoiler
Anuja
I’m Not a Robot - did win. Whoa. This felt pretty surprising. 
The Last Ranger
The Man Who Could Not Remain Silent - will win

Saturday, March 1, 2025

Oscar Predictions

Much like with the noms, I am still not on top of the race. But those predictions turned out okay, so.... fingers crossed?

Past years: 2023: 18, 2022: 16 (yikes), 2021: 20, 2020: 17, 2019: 19 (Bong!), 2018: 20, 2017: 15 (Moonlight!), 2016: 17, 2015: 21, 2014: 20, 2013: 18, 2012: 17, 2011: 17, 2010: 17, 2009: 20/21?

And, like last year, I am so far behind on films that I mostly don't have very fully formed 'should win' opinions. I think these are mostly predictable/in line with pundits, but I'll go fill out my games and see. 

Best Picture 
Anora - spoiler
The Brutalist 
A Complete Unknown 
Conclave - will win
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Well - Anora picked up a lot of steam, and the PGA is important, but I think the BAFTA/SAG takes it. I'm hoping Anora wins, though.



Actor in a Leading Role
Adrien Brody, The Brutalist - will win
Timothée Chalamet, A Complete Unknown - spoiler
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

This one is SUCH a toss up. Adrien Brody won most awards until the SAGs. The actors are the largest body, but...

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora - spoiler
Demi Moore, The Substance - will win
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain - will win
Edward Norton, A Complete Unknown - spoiler
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

The supporting categories aren't really close

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked - spoiler
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez - will win

Animated Feature Film
Flow - spoiler
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot - will win

Sniffles. Flow has won a lot! A foreign voters are 20% of the voters, but I think the Wild Robot has too many precursors among guilds. 



Documentary Feature Film
Black Box Diaries
No Other Land - will win
Porcelain War - spoiler
Soundtrack to a Coup d’Etat
Sugarcane

I would have said No Other Land was a lock until Trump met with Putin. I think this may come down to when people voted. 

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez - will win
The Seed of the Sacred Fig - spoiler
Flow

Directing
Sean Baker, Anora - will win
Brady Corbet, The Brutalist - spoiler
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist - will win
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria - spoiler
Jarin Blaschke, Nosferatu

I'd love a Maria upset here



Original Screenplay
Anora - will win
The Brutalist  
A Real Pain - spoiler
September 5 
The Substance 

I swapped these only due to Anora's momentum

Adapted Screenplay
A Complete Unknown
Conclave - will win
Emilia Pérez
Nickel Boys - spoiler
Sing Sing

Conclave won most things, but I'm putting Nickel Boys as the spoiler for having won the WGA

Film Editing
Anora - spoiler
The Brutalist
Conclave - will win
Emilia Pérez
Wicked

Tough - as September 5 won a lot of things. Also, my continual cry: WHYYY are the Ace Eddies after the Oscars??

Original Song
“El Mal” from Emilia Pérez - will win
“The Journey” from The Six Triple Eight - spoiler
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

At some point, surely, the vote will go Diane's way just to end the run

Original Score
The Brutalist - will win
Conclave - spoiler
Emilia Pérez
Wicked
The Wild Robot

Another tricky one, as Challengers won most precursors (WHAT does the Academy have against Trent Reznor??)

Sound
A Complete Unknown - spoiler
Dune: Part Two - will win
Emilia Pérez
Wicked 
The Wild Robot

I think Wicked is also a likely spoiler (musical, MPSE music win), but A Complete Unknown won the CAS, and I've heard some love for the mix, so...

Production Design
The Brutalist - spoiler
Conclave
Dune: Part Two
Nosferatu
Wicked - will win

Although I wonder if this will be like my picking Barbie last year. 

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two - will win
Kingdom of the Planet of the Apes - spoiler
Wicked

I think more people saw Dune. And it won the CCA/BAFTA.

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance - will win
Wicked - spoiler

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu - spoiler
Paul Tazewell, Wicked - will win

(Yay Paul Tazewell!)



Best Animated Short
Beautiful Men
In the Shadow of the Cypress - spoiler
Magic Candles
Wander to Wonder - will win
Yuck!

I've heard some love for Yuck!, but Wander has the most precursors (won the britIndie, AiF, BAFTA brit, and Annie, plus an EFA nom.) Shadow of the Cypress might feel like the biggest issue film?

Best Documentary Short
Death by Numbers
I am Ready, Warden - will win
Incident
Instruments of a Beating Heart - spoiler
The Only Girl in the Orchestra

Based purely on subject matter. Instruments won the IDA, Incident won the CinemaEye but sounds too modern. Only Girl is Netflix, so could have the edge there. 

Best Live-Action Short
A Lien - spoiler
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent - will win

Saturday, February 15, 2025

2024 Oscar Nom Predictions

So, much like last year, I missed the Oscar noms. This time because I was in Africa. That said, my work *has* been so busy since October of '23 that I am still trying to catch up on both the race and the last two years of films. I considered stopping the tradition this year, but the fact is that I still really enjoy my few regular blogs (oscar noms, oscars, my faves, and my annual playlist (still to come this year because, again: Africa.)) So I have managed to pretty well avoid the oscar news for the last three weeks, but I will note places where I think I've been spoiled (mostly best actress). However, there could again be a case like Ryan Gosling last year where I think I've been spoiled in one direction but misinterpreted a headline for trying to look away so fast.

2023 (82/120 (68%); 107/120 (89%)) 
2022 (91/120 (75.8%); 114/120 (95%))
2021 (79/120 (65.8%); 108/120 (90%))
2020 (84/118 (71%); 110/118 (93%))
2019 (88/124 (71%); 113/124 (91%))
2018 (91/121 (75%); 113/121 (93.4%))
2017 (90/122 (73.8%); 118/122 (96.7%))

I think I'm going to change up the formatting and put correct in bold purple (or blue for spoilers), and anything totally missed in italic red. Color commentary after the noms in burgundy

Total: 89/120. Not bad for being out of the loop! (74.2%) Third best!
With Spoilers: 110/120. Meh. Middle of the road for me. (91.67%) Fifth best.
Perfect Categories: Best Supporting Actor, Foreign Film, Adapted Screenplay, Production Design
Missed: 5 shorts, the Wild Robot for Sound, Elton John for Song, Alien for VFX (whoops. I got cocky), A Complete Unknown for Costume (? scarves?), and I'm Still Here for Best Picture (what?!)

Best Picture
I'm assuming 10 here, and it feels a little more open than the last couple of years (but maybe just because I'm less in the loop):
Definite:
1. A Complete Unknown (PGA, BAFTA, SAG, CCA, NBR top 10, GG, AFI top 10)
2. Anora (PGA, BAFTA, SAG, CCA, NBR top 10, GG-c, NSFC runner up, gotham, indie, won LAFC, won BritIndie, AFI top 10)
3. Emilia Perez (PGA, BAFTA, SAG, CCA, won GG-c, AFI top 10, won EFA)
4. Conclave (PGA, BAFTA, BAFTA-brit, SAG, CCA, NBR top 10, GG, AFI top 10)
5. Wicked (PGA, SAG, CCA, won NBR, GG-c, AFI top 10)
6. The Brutalist (PGA, BAFTA, CCA, won GG, runner up LAFC, won NYFCC, AFI top 10)

Likely:
7. The Substance (PGA, CCA, GG-c, indie, EFA)
8. Dune pt II (PGA, CCA, GG, AFI top 10)

Guessing:
9. September 5 (PGA, GG)
10. A Real Pain (did I end up picking the PGAs? oops. Apparently.) (PGA, CCA-c, NBR top 10, GG-c, AFI top 10)

Spoilers
Nickel Boys (CCA, GG, won NSFC, indie, AFI top 10) (I feel like I heard Nickel Boys got skunked. I think?)
Sing Sing (CCA, NBR top 10, indie, AFI top 10)
Queer (NBR top 10)
Challengers (GG-c, gotham)
Babygirl (NBR top 10, gotham)

I'm Still Here. WOW. It has been a minute since we've had a left-field Best Picture nom! I'm guessing this got in due to the subject matter, as I had no precursors for it outside of foreign. 

Also - Yay! Glad Nickel Boys made it in. I'm fascinated by what felt like a lack of a campaign around September 5, which generally seems like oscar catnip based on the subject. 

Editing
Anora (BAFTA, CCA, ACE-c)
Conclave (BAFTA, CCA, ACE)
Dune (BAFTA, CCA, ACE)
Emilia Perez (BAFTA, ACE)
Challengers (CCA, ACE-c)

Spoilers
Kneecap (BAFTA, won BritIndie)
September 5 (this has no momentum from what I can tell, but: indie, CCA, and won LAFC (tie)
Substance (Ace-c)
Brutalist (indie)
Wicked (ACE-c)

(Furiosa is flashy and has a guild nod, but I think Substance, Wicked and Brutalist have more momentum.)

It is so weird to me that Conclave got passed over in Director and Cinematography, but made it into Editing. I can't tell how the Academy feels about it at all. (Also: I thought the editing of Challengers was a mess, but I thought it might get the non-best picture flashy spot)

Best Actress
Cynthia Erivo - Wicked (SAG, BAFTA, CCA, GG-C)
Demi Moore - Substance (SAG, BAFTA, CCA, Won GG-C, gotham, Indie, Runner up LAFC)
Karla Sofia Gascon - Emilia Perez (I'm pretty sure I've been spoiled on this, but also SAG, BAFTA, CCA, GG-C)
Mikey Madison - Anora (SAG, BAFTA, CCA, GG-C, runner up NSFC, Gotham, Indie, NBR bkth)
Marianne Jean-Baptiste - Hard Truths (BAFTA, CCA, won NFSC, gotham, won NYFCC, won LAFC, won Brit Indie)

Spoilers
Pamela Anderson (SAG, GG, gotham) The SAGs are usually the best predictor, but I feel like the BAFTAs sometimes help show the European skew since the Academy was opened up, and she didn't have as clean a sweep this year as the other SAG noms. I think she's the leading spoiler, but I suppose we could also put in:
Angelina Jolie (CCA, GG). I'm really sorry this campaign didn't work better. At least both Natalie Portman and Kristen Stewart got noms for their films. 
Fernanda Torres - I'm Still Here (won GG, runner up LAFC)
Nicole Kidman (GG, gotham, won NBR)
Saoirse Ronan (BAFTA, gotham, brit indie)

Boo for Marianne! I think I saw a precursor article that said if she didn't get a nod, it shows how broken the Oscars are. That said, I love how international they are becoming!

Best Actor
Adrien Brody - Brutalist (SAG, BAFTA, CCA, won GG, runner up NSFC, gotham, won NYFCC)
Colman Domingo - Sing Sing (SAG, BAFTA, CCA, GG, won NSFC, won Gotham, Indie)
Daniel Craig - Queer (SAG, CCA, GG, won NBR, EFA)
Ralph Fiennes - Conclave (SAG, BAFTA, CCA, GG, runner up NSFC, EFA)
Timothee Chalamet - A Complete Unknown (SAG, BAFTA, CCA, GG)

Spoilers
I suppose Sebastian Stan? Although I feel like he splits his own votes. He was nommed for a BAFTA, Indie and GG for the apprentice, and won a GG-C for A Different Man.
Hugh Grant is probably the only other real spoiler outside of something left field, as he got a BAFTA, CCA, and GG-C for Heretic. 
Out side of that, the options are: Jesse Eisenberg, Glen Powell, Abou Sangare. Maybe Keith Kupferer? Jesse Plemons? 
(Isn't it nice that so many more women get meaty roles these days? I didn't even mention Amy Adams or June Squibb or Renate Reinsve or Kate Winslet or Zendaya) (I mean - obviously there are others, but even those above are pretty far out of the conversation, I feel.)

Awww boo. I heard such good things about Daniel Craig in that role (although my guess is the film falling apart in the back half probably didn't help.) Plus I'm guessing a fair few folks wanted to needle trump. 

Best Supporting Actress (I did get spoiled on this category while traveling back to the US, but (clearly) only remembered Ariana Grande)
Ariana Grande - Wicked (SAG, BAFTA, CCA, GG)
Danielle Deadwyler (SAG, CCA, Indie, gotham)
Zoe Saldana - Emilia Perez (SAG, BAFTA, CCA, won GG)
Jamie Lee Curtis (SAG, BAFTA) It is WEIRD that she had no precursors and then she got the big two at the end
Isabella Rossellini - Conclave (BAFTA, CCA, GG). My thinking here is that Conclave seems like a juggernaut. So does the Brutalist (Felicity, below), but I feel like I've heard more about Isabella.

Spoilers
Monica Barbaro - A Complete Unknown (SAG) It is SO WEIRD that is her only nom, that even though it's the SAG, and the actors are the largest branch...
Felicity Jones - Brutalist (BAFTA, GG)
Selena Gomez - Emilia Perez (BAFTA, GG)
Margaret Qualley - Substance (CCA, GG)
Aunjane Ellis-Taylor (runner up NSFC, CCA)

This category is MUCH more spread out than the others. Elle Fanning won the NBR, Danielle is the only of the Indie noms with a chance, Michelle Austin won the NSFC for Hard Truths. Also I just want to flag that I love the gothams for recognizing Lily Collias as a breakthrough for Good One. 

Best Supporting Actor
Kieran Culkin - A Real Pain (SAG, BAFTA, won NSFC, CCA, won GG, gotham, indie, won NBR, won LAFC (tie), won NYFCC. I mean, this is his to lose)
Yura Borisov - Anora (SAG, BAFTA, CCA, GG, gotham, indie, won LAFC (tie)). I love this performance SO MUCH.
Edward Norton - A Complete Unknown (SAG, BAFTA, runner up NSFC, CCA, GG)

Here's where I get quite torn. I think Guy Pearce (Brutalist) because BAFTA, runner up NSFC, CCA, GG, gotham, plus the Brutalist momentum. But he didn't get the SAG. I also fully acknowledge I'm biased toward him because I love him. 

And then I think Jeremy Strong because SAG, BAFTA, GG. It just *feels* like it's a Succession victory lap, no? (Then again, that won McConaughey the oscar, so.)

Spoilers
Jonathan Bailey - Wicked (SAG). Like Monica Barbaro - SO WEIRD he was only nominated for a SAG! He's pretty beloved, and Wicked may have more momentum than A Complete Unknown (although that's been picking up speed...) It just feels weird that even being British he didn't get a BAFTA nom.
Clarence Maclin (BAFTA, CCA, won gotham, Indie, runner up LAFC) I hope he spoils!

That's basically it. But I'll say Adam Pearson (runner up NSFC, gotham, Indie, runner up LAFC), Denzel Washington (CCA, GG, famous), and Brandon Wilson (gotham - won bkth) for the last three. I'm 99% sure Nickel Boys is going to be skunked, perhaps Aunjane aside. (I haven't seen it yet and have heard the central conceit doesn't really work, but I like that something experimental is in the conversation, I know it's beloved among a few, and I still really want to see Hale County.) But that's pretty much it. All the other men who have been nominated have been things like breakthrough or the Brit Indies. The only remaining major award is Karren Karagulian for the Indie, and folks will vote for Yura instead. 

Director
Brady Corbet - Brutalist (DGA, CCA, BAFTA, won GG, indie)
Edward Berger - Conclave (DGA, CCA, BAFTA, GG)
Sean Baker - Anora (DGA, CCA, BAFTA, runner up NSFC, GG, gotham, indie, runner up LAFC)
Jacques Audiard - Emilia Perez (DGA, CCA, BAFTA, GG, won EFA)
And finally, I realize James Mangold is probably the smart fifth pick, but I cannot with five men, and Coralie Fargeat (Substance) did get the BAFTA nod, in addition to the CCA and GG, so fingers crossed. (Also: I LOVE Revenge, so.)

Spoilers
James Mangold - A Complete Unknown (DGA)
Denis Villenueve - Dune (CCA, BAFTA)
RaMell Ross (CCA, runner up NSFC, won Gotham, won NYFCC)
Payal Kapadia (won NSFC, GG, gotham)
Jon Chu - Wicked (CCA)

Yay for Coralie making it in!! I really wonder what it means that A Complete Unknown beat Conclave, which felt like it had a lot of admirers. 

Original Screenplay
A Real Pain (WGA, BAFTA, won NSFC, CCA, GG)
Anora (WGA, BAFTA, runner up NSFC, CCA, GG)
Brutalist (WGA ineligible, BAFTA, CCA, GG)
Substance (WGA ineligible, BAFTA, CCA, GG)
Challengers (WGA, CCA)

Spoilers
September 5 (CCA, WGA ineligble)
Kneecap (BAFTA)
Civil War (WGA)
My Old Ass (WGA, indie)
Hard Truths (won NBR)

Adapted Screenplay
Nickel Boys (WGA, BAFTA, CCA, USC)
Conclave (BAFTA, CCA, won GG, USC)
A Complete Unknown (WGA, BAFTA, USC)
Sing Sing (WGA ineligble, BAFTA, CCA, USC, won NBR)
Emilia Perez (BAFTA, CCA, GG, won EFA)

Spoilers
The last one will probably be Emilia Perez, but I would be delighted if Hit Man made it in (WGA)
Dune pt. II (WGA, CCA)
Wicked (WGA, CCA)
Wild Robot (USC)
Room Next Door (EFA)

Animated
Flow (YAY!) (PGA, BAFTA, CCA, won GG, ACE, won NBR, Annie-indie, won NYFCC, won LAFC, won EFA, ADG, won AiF)
Inside Out 2 (PGA, BAFTA, CCA, GG, ACE, 7 Annie, ADG, VES, MPSE)
Moana 2 (PGA, GG, ACE, ADG, VES)
Wild Robot (PGA, BAFTA, CCA, GG, ACE, 10 Annie, ADG, VES, MPSE)
Wallace & Gromit (PGA, BAFTA, CCA, GG, ACE, 7 Annie, ADG, VES)

Spoilers
Memoir of a Snail (CCA, GG, Annie-indie, AiF special jury prize)
That Christmas (6 Annie)
Kung Fu Panda 4 (Annie)
Savages (EFA)
Mufasa (VES, MPSE)

Documentary
No Other Land (BAFTA, won NSFC, won IDA, won gotham, indie, won LAFC, won NYFCC, NBR Freedom of Expression award, won CinemaEye, won EFA)
Porcelain War (PGA, DGA, CinemaEye) (Also - the PGA noms this year were BONKERS)
Sugarcane (DGA, CCA, IDA, gothams, indie-bkth, won NBR, Cinemaeye)
Soundtrack to a Coup d'Etat (DGA, runner up NSFC, IDA, gotham, indie, cinemaeye, EFA)
Daughters (DGA, BAFTA, CCA, cinemaeye)

Spoilers
Black Box Diaries (BAFTA, IDA, NBR top 5, Cinemaeye)
Dahomey (runner up NSFC, IDA, gotham, runner up LAFC, NBR top 5, cinemaeye, EFA)
Will & Harper (BAFTA, CCA, ACE, NBR top 5, Cinemaeye audience nom, mpse)
Hollywoodgate (DGA, cinemaeye prod nom)
Remarkable Life of Ibelin (CCA, IDA, won cinemaeye score)

I remain devastated Nocturnes was overlooked. And I still really want to see Pictures of Ghosts.

Foreign 
Emilia Perez (GG, BAFTA, CCA, EFA, mpse)
Seed of the Sacred Fig (GG, BAFTA, CCA, runner up NSFC, runner up LAFC, won NBR, EFA)
I'm Still Here (GG, BAFTA, CCA, NBR top 5)
Girl with the Needle. Maybe wishful thinking, but GG, NBR top 5, mpse.
Flow. Fingers crossed. (CCA, indie, 

Spoiler
Kneecap. This doesn't *feel* like an Oscar pick, but the BAFTA makes it feel like a very possible nom. ( CCA also)
Vermiglio (GG, EFA, gotham)
Santosh (NBR top 5)
Universal Language (top 5)
Armand (EFA bkth)

HELL YES FLOW! And Girl with the Needle!

Cinematography
Conclave (guild, BAFTA, CCA)
Nosferatu (guild, BAFTA, runner up NSFC, CCA, NBR)
The Brutalist (guild, BAFTA, runner up NSFC, CCA, runner up LAFC)
Dune pt II (guild, BAFTA, CCA)
Nickel Boys (Indies, won NSFC, won NYFCC, CCA, won LAFC)

Spoilers
Emilia Perez (BAFTA)
Wicked (Guild, CCA)
A Complete Unknown (guild)
Maria (guild)
Substance (won EFA)

Costume
Conclave (BAFTA, CCA, guild-C). Also, what?
Nosferatu (BAFTA, CCA, guild-P)
Wicked (BAFTA, CCA, guild-F)
Maria (CCA, guild-P)
And this is probably insane, but: Devil's Bath (won EFA)

Spoilers
Gladiator (CCA, guild-P)
Beetlejuice Beetlejuice (guild-F)
Dune (guild-F, CCA)

Normally I'd say the guild period noms have the edge, but in this case, I'm thinking Emilia Perez and Substance just have a better chance than Furiosa and Saturday Night.

A Complete Unknown. Hmmm - I smell momentum. 

Makeup
Wicked (BAFTA, CCA, guild)
Nosferatu (BAFTA, CCA)
Substance (BAFTA, CCA, guild)

Spoilers
Dune pt 2 (BAFTA, CCA) If ever there were a year for 4...
Emilia Perez (BAFTA, guild)
Beetlejuice Beetlejuice (CCA, guild)
A Different Man (CCA, guild)

Look - I am putting Emilia in since there are 5 noms. Which, you would think I would have remembered they moved to SIX YEARS AGO. (I googled to remind myself how many there were, and google said 3 most years, because AI is the fucking worst.)

Production Design
Brutalist (BAFTA, won LAFC, CCA, guild-P)
Dune (BAFTA, CCA, guild-F)
Nosferatu (BAFTA, CCA, guild-P)
Wicked (BAFTA, CCA, guild-F)
Conclave (BAFTA, CCA, guild-C)

Spoilers
Gladiator II (CCA, guild-P)
A Complete Unknown (guild-P)
Girl with the Needle (won EFA)
Furiosa (guild-F)
Blitz (LAFC runner up)

Visual Effects
Better Man (BAFTA, CCA, VES)
Dune (BAFTA, CCA, VES)
Kingdom of the Planet of the Apes (BAFTA, CCA, VES)
Wicked (BAFTA, CCA)
Gladiator (BAFTA, CCA)

Spoilers
Twisters (VES)
Civil War (won BritInie, VES-photoreal)
Mufasa (VES)

I'm not putting Alien or Deadpool. 

Whoops.

Score
Brutalist (BAFTA, guild, CCA, GG)
Emilia Perez (BAFTA, guild, CCA, GG)
Conclave (BAFTA, CCA, GG)
Challengers (CCA, won LAFC, won GG)
Wild Robot (BAFTA, CCA, GG)

Spoilers
Nosferatu (BAFTA)
Wicked (Guild)

That's it for nominations on the shortlist (sorry Queer isn't up for a double Trent Reznor/Atticus Ross.) So, knowing nothing about the scores for these, but I'll go Babygirl, Beetlejuice, and Gladiator. 

Boooooooo. What does the Academy have against Trent Reznor??? (I mean, besides the fact that they are all old.)

Song
The Journey - Six Triple Eight (Diane Warren. That's it. I'm never not guessing her again.) (but also guild nom)
El Mal - Emilia Perez (won GG, CCA)
Compress/Repress - Challengers (GG, CCA)
Kiss the Sky - Wild Robot (GG, CCA, guild)
Out of Oklahoma - Twisters (guild)

Spoilers
Mi Camino - Emilia Perez (GG, CCA)
Like a Bird - Sing sing (guild)
Harper and Will go West (CCA) (although will Oscars bump anything trans given current events?)
Sick in the Head - Kneecap
Beyond - Moana 2

Never Too Late - Elton John Never Too Late

(I do think Tell Me It's You has a strong chance - because: Lin Manuel, but I'm thinking Kneecap is a musical, and Moana was better received.)

Sound
Dune (BAFTA, CAS, MPSEx2)
Wicked (BAFTA, CAS, MPSE)
A Complete Unknown (CAS, MPSE)
Gladiator II (BAFTA, CAS)
Blitz (BAFTA)

Spoilers
Deadpool (CAS, MPSEx2)
Alien (CAS, MPSEx2)
Emilia Perez
Joker

The Wild Robot. What? (I mean, it was on the shortlist, but had no precursors. And when was the last time an animated film made sound?) (Soul. The answer is Soul.)

Short Doc
I Am Ready Warden (cinemaeye shortlist)
Incident (won cinemaeye)
A Swim Lesson (cinemaeye shortlist)
Makayla's Voice (cinemaeye shortlist)
Once Upon a Time in Ukraine (no precursors, but I figure the subject)

Spoilers
Instruments of a Beating Heart (cinemaeye shortlist, IDA)
Eternal Father (cinemaeye shortlist)
Only Girl in the Orchestra (cinemaeye shortlist)
Until he's back (IDA)
Planetwalker

Death by Numbers

Short Live
Crust
I'm Not a Robot
A Lien
Man Who Could Not Remain Silent
Orange from Jaffa

Spoilers
Room Taken
Paris 70
Ice Cream Man
Clodagh
Masterpiece

Anuja
The Last Ranger

Short Animated
Beautiful Men (Annie)
Crab in the Pool (AiF special jury prize)
In the Shadow of the Cypress (Annie)
Wander to Wonder (Annie, BAFTA-brit, won AiF)
Au Revoir Mon Monde (I LOVED this one, so I'm pulling for it.)

Spoilers
Those in the know say Me, but I'm just hoping others felt the way I did about Au Revoir. 
The Wild-Tempered Clavier
The 21
A Bear Named Wojtek
Maybe Elephants

Magic Candies
Yuck!

Noooooooooooooooooooooooooooo! Go. Watch. Enjoy

Saturday, June 1, 2024

FtbbW - The Reincarnation

We're starting with this one, because it seems easiest to just play along with James on episode 300.

Favorite Remake:
Obviously the Departed is a great answer. I remember really loving 3:10 to Yuma, but I haven't rewatched it since it came out. I personally hold Gone in 60 Seconds near and dear to my heart as a trashy film I unabashedly love. Girl with a Dragon Tattoo is interesting, because I love Fincher, and so I love his version (your friend and mine: Enya!), but I remember thinking the original was better (mostly just for how Noomi played Lisbeth.) I love the most recent Emma. The 1994 Little Women is a contender. It feels a bit like cheating, because it's going off a beloved book, more than remaking an earlier film, but... it's the best version. The new Suspiria had some really interesting parts, and I liked it a lot, but I didn't think all of it completely worked. Clear honorable mentions: the Birdcage, Little Shop of Horrors, the Magnificent Seven, the Mummy, Ocean's 11, Thomas Crown Affair, and the Wizard of Oz. None of these have I seen the original to compare.

Out of all of those, I'm torn between Thomas Crown, which I love wholeheartedly, and Dragon Tattoo, where I've seen both. I think I'm going Dragon Tattoo, because it is Fincher being excellent, and I love the cinematography.  


Actor you would watch in anything:
Well, it's not Sam Rockwell, because I'm never going to watch his animated guinea pig movie. Christian Bale is a strong maybe. I'm not sure there's anything in his oeuvre I wouldn't watch. (This reminds me of an internet game a while back about an actor's rotten tomato range and whether your favorite had a spread as large as Karl Urban's.) 

Buster Keaton - I just don't know. Despite having seen 49 of his films, that's not quite a third of his output. (Ditto William Powell.) Shockingly not Rory Kinnear, because Count Arthur Strong was not for me (although that's tv). Andrew Scott has been in some weird ones. Cillian Murphy is also probably a strong maybe. Even in not great films, he's generally pretty interesting. Ditto Ben Whishaw (hey! I have seen his two lowest rated films - Bad Behaviour and the Tempest - so that's probably a pretty good pick.) I haven't seen enough Daniel Day-Lewis, but he's probably close up there. 

I love Mia Wasikowska a lot, and if I had to pick a favorite actress, she's the first that comes to mind. But there are a couple of her films I'll probably never see. I'm never going to watch Saoirse Ronan's teen flick. Natalie, Cate, and Kate each have a couple I'm not interested in. I've seen most of Eliza Scanlen's output so far and I find her really compelling. I'm drawn toward things with Thomasin McKenzie, because I really like her. Tilda is a strong maybe, but I feel like she has a bunch of obscure art films that are probably hard to find. 

So Christian Bale is probably the runner up, but as of right now: Jessie Buckley probably. I think I'd watch anything for her. Sure, it helps a bit that she's earlier in her career, and that she started so strong that she's had her pick of interesting projects. But I think her. (Hilariously, and I've only just thought of this, their next movie is together.)


What is the film you changed your mind about between viewings: 
There are a couple of films where I wasn't sure how I felt the first screening so I went back for a second time before assigning a rating - Oppenheimer and CMBYN come to mind. But I don't think that was changing my mind so much as making it up. This one is hard! Partly, I very rarely have time for rewatches of things that aren't favorites. 

I suppose another would be a film I don't feel I could still watch because the circumstances of the film have changed. So I don't know if I'll love Everybody Wants Some!! as much now knowing about the lead's domestic abuse (although the supporting characters were always the better part of that film.)

I'm sure there are some where a review changed my mind somewhat - gave me a different angle to consider, although I can't think of a specific example offhand. Maybe I'm Thinking of Ending Things? Actually, my friend Leo said some things about EEAAO after we went to see it which made me like it better. 

And then there are those that probably only hit a particular way at a particular time. Seeing Nine Days at a certain point in the pandemic is probably not a replicable emotional experience. Or seeing something on the big screen with a crowd vs. a home viewing can change the experience (the Black Pirate, Safety Last!, Wanted) Similarly, there are some where you can never have that first time experience back. Beast is one I think of for that (literally for the first half of my first viewing I thought I might be watching a werewolf film.) Sixth Sense, Usual Suspects, the Prestige, Parasite, Japanese Story all fall in that category. And I might actually go with Their Finest for that type of change between viewings, although I actually haven't rewatched it yet because I know the experience will differ. 

So - and I recognize this is entirely cheating - but I'm going to say the NTLive of Frankenstein, where Johnny Lee Miller and Benedict Cumberbatch swapped places, because one night (JLM as the creature) was markedly better than the other. 


Favorite Documentary:
Honorary Mentions: The Act of Killing, Leviathan, Aquarela, Anthropocene, Gunda, City Hall, Man with the Movie Camera, Microcosmos, Free Solo, Dick Johnson is Dead, Bloody Nose Empty Pockets, Let it Fall, El Mar La Mar, Hail Satan?, After Antarctica, Minute Bodies, and Nocturnes, which I saw at Sundance this year and ADORED. 

Special mention to Haulout which still should have won the doc short oscar. I love that film. 

But, obviously, it has to be: Jane


Favorite Sequel:
As James said, Paddington 2 is perfect. Other honorable mentions: Matrix Resurrections, Spider-Man 2, Rescuers Down Under, MI: Fallout, Return to Oz, Aliens, X2, 10 Cloverfield Lane, Bride of Frankenstein, The Look of Silence, and The Souvenir Part II. I need to rewatch Army of Darkness before I could add it. I adored Across the Spiderverse, but it ends on a cliffhanger. Top Gun Maverick is too much propaganda to be my pick. Apur Sansar would probably be the best pick (and I do love it and it is brilliant), but my heart says Mad Max Fury Road, only narrowly beating out Batman Returns.


Favorite film by a director you don't normally like:
I mean, Newsies would also work for this one (see below), given that I have no interest in the rest of Kenny Ortega's output (Hocus Pocus is whatever and High School Musical/Disney crap/Michael Jackson is all pretty icky.) Dogma works - I've seen three other Kevin Smith films and they were not for me. Weirdly, Soderbergh comes close for me - I've enjoyed three of his films, and have been mixed to negative on seven others. Bringing up Baby might work - I haven't loved the other Hawks films I've seen (although I probably need to rewatch To Have and Have Not.) The Man from Uncle kind of works, although I found Armie Hammer off-putting even before his scandal. But it's mostly fun and well done in a way I haven't been able to get into with the other three films of Ritchie's I've seen. 

I think it's probably Dogma on this one (although I haven't seen it since college). Poor Linda Fiorentino. She should have had more of a career.


What's your favorite film that you love that you get stick about: 
I've definitely been given grief about the new Emma. The one that stands out to me is Newsies. Objectively it is bad, but it was such a cultural phenomenon for a slice of women my age (shout out to Sarah Marshall's excellent You're Wrong About and You Are Good podcasts on the subject.) So, look. Do I understand Robert Duvall's acting choices in this film? Nope. But I'm always gonna love it:



Single Sexiest Moment in all Cinema:
Ugh - I feel like my brain has gone absolutely blank on this one and there are some great indie/foreign ones I'm missing.  So I feel like you've mostly got a couple of categories. Great kisses, like the Atonement goodbye, the Brokeback Mountain reunion, or I seem to remember there's good ones in Dance of the 41, Far from the Madding Crowd, the Iron Mask, and Bones and All. The best one is the end of Maurice. For sex scenes, you've got the ones in God's Own Country, Beast, All of Us Strangers, Last of the Mohicans, Crimson Peak, the Handmaiden, Secretary, Shakespeare in Love and, as I recall, Mothering Sunday. And then in sort of other, you've got things like Clark Gable undressing in It Happened One Night, the chapstick in Decision to Leave, the changing room in the Cameraman, the piano in Stoker, and Andre Holland smoking in Moonlight (and the rest of the diner scene.) Some of these I'd probably want to rewatch to make a definitive call, but I'm leaning toward Maurice, All of Us Strangers (recency effect?), Stoker, Beast (the forest scene doesn't seem to be online, but there are bits of it in this), and Moonlight. (I'm sure there's a specific scene in God's Own Country, but I can't pick it out at the moment. 

Let's go with Maurice:

What is the film that means the most to you as a family:
I mean - a Muppet Christmas Carol is beloved, as were Fantasia and Totoro. My brother and I used to do voices from Rescuers Down Under and Fievel Goes West (Howdy Howdy Howdy and I'm Blind I'm in PAIN, respectively.) Labyrinth and the Dark Crystal were favorites. Halloween was Grinch Night. I have a very clear memory of going to The Lion King opening weekend with my brother and dad. I'm not sure there was one movie beloved by all four of us, but I think I'll go with The Wrong Trousers here, because my mother definitely still does "CHEESE" regularly. 


What is the film that is as good or better than the book:
The Hours. I remember this anecdote from my Queer Theories class in college: when the screenwriter (David Hare) met with Michael Cunningham, Michael said, 'I wrote the best book I could. You write the best screenplay you can.' He acknowledged they are different media and that a good film adaptation shouldn't be slavish if it is to excel in its own medium. So I've always thought that is the best example. 

(Honorable mentions: Robin Hood, Last of the Mohicans, Wild, Jurassic Park, Where the Wild Things Are, V for Vendetta, Interview with the Vampire, Little Women (1994), Brokeback Mountain, Stardust, Secret of NIMH, Muppet Christmas Carol. (I obviously love Adaptation, but I've never read the book, so.))


What's your favorite score:
Last of the Mohicans. Best movie score ever. No other correct answer. 


What is your single favorite setpiece in a film that isn't a classic overall:
Bad Royale is a good one, although I think it's hard not to pick the singing/digging/windows bit. This is a tough question, because my mind leaps to either musical numbers or one-ers. Bond openers/MI stunts are good. Or No Man's Land in WW, to stick with action. (Or I don't think Bullitt quite qualifies as a classic.) Big dance numbers probably qualify, but just a good musical scene (a la Stoker), probably isn't considered a set-piece. Ditto the argument in Indignation. 

It's so hard not to think of classics! (The T-rex, or the elevators in Cabin in the Woods, to stick with Drew Goddard. Worst Person in the World! RRR! Carrie! Days of Heaven! the General! Napoleon!) The Great Ziegfeld is probably on the line. It's not great, but it did win best picture, in part because of the cake set piece. (Can the climb in Free Solo be considered a setpiece? I mean - it was logistically complex.) I'm excited to see the Furiosa scene that took 78 days to shoot.

The mirror dance in Last Night in Soho is pretty good. Or the zombie sword fight in Stardust. The earthquake in San Francisco. Will Tick Tick Boom ever be considered a classic? Because Sunday is definitely up there (with pandemic restrictions layering in the logistical complexity). Trinity flying in Matrix Resurrections is pretty great. There are a couple of great set pieces in M. You can't use the one-ers in Atonement or Children of Men (classics), but the Vast of Night has a pretty good one. Tár's is pretty great. The opening dance in Climax. The drive in Licorice Pizza. Quicksilver in Xmen, although I'd prefer to pick something with more practical effects. The final chase in Revenge. I think this question is leaning more toward action than a musical number, so I think I'm going to pick the staircase scene in Atomic Blonde. (My most liked review on LB is just praising that scene.)


What is your favorite credits sequence:
Honorable mentions: Vox Lux, Boy, Deadpool, CMBYN (although there's an interesting video essay that looks at why the ending of Portrait works better than CMBYN precisely because the film ends), Deadpool 2 (I mean - it didn't make up for the fridging, but...), What We Do in the Shadows, Guardians of the Galaxy 2 (the best part of that film, other than Ben Browder), Too Many Cooks, and Se7en. Also a plug for going through some interesting picks here: https://www.artofthetitle.com/features/ 

My knee jerk reaction was Watchmen, which is a pretty obvious answer. Then I thought maybe Holy Grail, because I remember how thrilling and hilarious those were in sixth grade. I may have also said 'she was carving her initials on the møøse' to my friend Jess Copi like three months ago. I think I'll go with Watchmen though since it sets up the needed backstory (that said, how much of the credits do folks who have never read the book get? Do they pick up the kid is Rorschach?)


What is the film that weirded you out the most:
I mean - there were the ones that gave me nightmares as a kid: Critters and Watership Down. Films that I have found upsetting would be ones like Bullhead, Snowtown, the Last House on the Left, Once Were Warriors (my English teacher had me watch it at 13, and look - I was precocious - but that was a bit much for me at the time), the Tribe, Se7en (sloth. ugh.) and Requiem for a Dream. I mean, we all know the real answer here is Cats, but I'm going to go with The Strange Thing About the Johnsons.

What is your all time favorite line from a film:
A few favorites:
"Sometimes you make the honest mistake of making a mask out of crackers and a duck eats your face" - What We Do in the Shadows
"But it's what I'm going to do." - Wonder Woman
"I would die for her, I would kill for her. Either way what bliss." - Addams Family
"A life without despair is a life without hope. Holding these two ideas in our head is life itself" - First Reformed
"I lost my virginity in what I thought was a park but it turned out to be a graveyard and now the ghost spirits live inside my eggs waiting to be reborn" - Booksmart
"I love this man beyond measure and reason. He’s not my ‘boyfriend.’ He’s all and he’s more." - The Old Guard
"Most people are other people. Their thoughts are someone else's opinions. Their lives a mimicry. Their passions a quotation." - I'm Thinking of Ending Things 
"You know the quickest way of getting rid of me?" "Tie you up. Dump you in that river." - Miss Fisher
“A friend is a gift you give yourself.” – Nightcrawler
"History isn't here yet. It's coming, but maybe this time we can take it on our own terms." - First Cow
"Do it." - Zola
“You want to be people? Let’s be people.” - Bones & All
"You must tell me all about yourself, in every detail, but oh, so slowly, so very slowly, so that it takes a very, very long time." - Scarlet Pimpernel
I'm not going to put anything from Angels here because it feels like cheating. It's cliche now, but "I wish I knew how to quit you" is a great line. Same with "Carpe Diem." And "You will never age for me, nor fade, nor die."

But my gut reaction is:


One Film to Take With You:
I mean - this is a weird one. Is this the one film you would take with you to be reincarnated (how James took it - and Past Lives was a great pick). I feel like it can't be favorite film because that's episode 1. So I guess for reincarnation I'm leaning toward something here like Koyaanisqatsi, Le quattro volte, Cloud Atlas, Dead Again, Only Lovers Left Alive, Wild, the New World, or Man with a Movie Camera. Maybe it should be a Buster Keaton just to get that in early for a new life? 

But I think I'm going with: World of Tomorrow.